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These small things; bus tickets, old christmas cards receipts so old the print has faded away, an envelope with the score from a game of scrabble, these small things wage against me a vendetta. They are the minute A small pink paper heart, These things, inconsequential, It gets harder to leave Kathryn Yeo |
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Empty bottles on your left. A steaming pot of apricot jam I do not understand Imogen McClelland |
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I've been toying with this idea for a while but it seems to be going nowhere. The idea is to write a poem about the people who clearly do not fit into their corporate skin on the bus or the train. I keep asking them (in my head) where they go when they shed that skin, when they become a body on the street rather than a number in a machine. But I'm having problems getting the poem off the ground and I'd like you to help me. What questions do you idly ask in you head when you watch people on public transport, when you see the faraway look in their eyes that suggests they are already at home making dinner for their kids, washing up from last night's great dinner and even better sex, wondering how much longer they can survive at that place and work with that dickhead, watching neighbours and getting really into the love life's of imagainary people... Let me know what you ask and I will form all of our wonderings into one poem.
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There are so many ways of saying goodbye. I could wait 'til morning and wave to you from the kitchen window I could wait 'til morning and say "hurry home, dear" and kiss you at the car door, I could roll over to your side of the bed and wrap you in my arms I could sit with you at the table, watch you drink your coffee Imogen McClelland
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The sun, falsely warm through the windscreen, made the city seductive. We both watch it, seeing it through very different eyes. You won't see it again for months, years perhaps. I will see it every day with the emptiness you've created. "It's only an hour from door to door. It's an easy road to drive," you keep telling me. You've told me so many things. |
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In the middle of the table, the Christmas fruit sits as innocently as if this were last year. You haven't told me yet, but there will never be another Christmas. Like a shadow, you slip out into the morning, leaving Mum to break the news to me. We sit together, trying hard not to cry. I hold on to a mango. When you return, you look like a beaten dog, and I can't stand the sight of you.
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Once upon a time there was a lonely wolf lonelier than the angels. He happened to come to a village. Already he loved its walls In the room sat people. So at night he went into the house. He stood all through the night, with wide eyes Janos Pilinszky (One of my favourite, favourite poems. I hope you find something to love about it too xx) |
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How do you keep them from falling through the cracks? How do you keep them from falling through? Where do they go if you have your hands full and can’t stop them? What happens to them when they slip through the cracks? What are the cracks and why mustn’t they fall through? There are days when I want to disappear somewhere A crack might be just the place to fall away in to. Are you keeping them away from something secret and better? Are you making me perpetuate that secret and keep them out? Out of the cracks and away from the deeply good things? Did you ever ask them if the non-cracks is where they want to be? Being out of the cracks might be only one way of being. |
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There was a party brewing. Their shoes all came out of the wardrobes for an airing and trying on. Little walks around the lounge room reacquainted them with the pinches and discomfort unique to each pair. It seemed that the general rule was that the more uncomfortable the shoe, the more desirable it was. Linen tablecloths were scrutinized for stains, suitability, colour. And it was decided that there was nothing more attractive that bright, clean white. A menu was composed. Flavours and colours were considered long and hard. The intention was to build a pyramid of flavour. They would start out with soft, light tastes from food that had high fat content, balanced by things that were crisp and fresh. This would build up to food with texture, matched by strong flavour leading to the main course and the point of the pyramid. The flavours would be sharp and awakening, they would cause conversation to take a particular turn. Just before the conversation would get out of control, desert would be served. Old fashioned and homely, the spices used here would warm and calm. Finally there would be a return to the high fat content food, which would cause feelings of guilt and pleasure and lead people off into the night. Wine. This would need to be thoughtfully bought to complement each dish. An idea was proposed and, given the building excitement in the house, executed gleefully. Six sparkling wines of different makes and vintages and prices were popped simultaneously and tasted by three judges. The first one to be tried was unanimously liked because it signaled the start of the party. The second one was deemed to be less chemical than the first. The third surprised all with its fruit and joy, the fourth did not live up to expectations, the fifth needed to be tasted twice before being rejected out of hand and the sixth caused ripples of laughter and delight. Much later that night, when there was no champagne left, and they could no longer dance, or even sit up straight, someone realized and commented that in the preparation for the party, a party had been had. And what a party it had been.
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I do not know how I will ever impart the understanding that those I am supposed to help have provided me with so much more that I could ever give them. I feel a sense of pride when I consider these three people and how they have expanded themselves, tried new things out, been brave, felt their minds growing to the point of pain. How can I thank them for the honour of being allowed to witness that, to be part of that?
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"She would be dismissive of her success ... and it would not be entirely false modesty. She had her own idea of success."
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Fat Fat hangs off me heavy icing on a sticky, wet, carrot cake. I can pick it up, roll it between my fingers, Each time I pick up a roll Of fat, I want to eat. (Yes, I've seen the lumps of lard the chemist has to scare the fat out of you, I've even picked one up, but it was not as soft, as flexible as the great rolls that swathe my middle). Fat. Feel how it drips slowly out your mouth, Feel it roll like caramel around your tongue, Feel it fill the cavities between each tooth And stick to the edges of your lips. Imogen McClelland |
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What they don't know is that their feet are visible. His left foot has come out of his shoe With great care and concentration Her legs are crossed, He is mid-sentence, The man sitting next to him guffaws His face registers surprise. The heel of her stiletto has become entangled
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Intimidating. Intimidate. Intimate. Mate. |
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Thanks, Simon and Garfunkle. Or should that be Simon and Gar-fuck-el. I think it is their song, "I Am A Rock" that is responsible for all my neurosis. |
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The steering wheel moves against my palms gently, reminding me that we are travelling, even though I am rooted to the spot in our conversation where you found your twin and said that she made the world make sense. I wish I got carsick. (And you went on I held the wheel tightly The steering wheel was still |
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